Chinese Cinema Analysis Research Paper Example | Topics and Well Written Essays - 2250 words

Chinese Cinema Analysis - Research Paper ExampleI figured engage Chinese cinema will be a considerable source of information regarding the section. In addition, studying Chinese cinema will offer me contrasting approaches that are go forthside the average of what any film students scope. This is an area where most people to do not venture in their studies. subgenus subgenus subgenus Chen has been visible in Chinese cinema from the 1980s up to recent times. In analyzing Chen, the paper will focus on various elements present in the films under his name. For instance, the subject matter of the film, plot, setting, characters depicted theme and cinematography. Two films, Farewell My Concubine and Yellow Earth will be the main focus of Chens film. Chen Kaige Films from China have become a celebrated part of world cinema, winning prizes at film festivals and widespread viewers. The force canful these achievements is the vision and talent of a young group of filmmakers who emerged in th e 1980s. One of the major contributors to these achievements is Chen Kaige. Most of the characters in Chens films stand out as happy and carefree people, which cannot be a reflection of the directors life. This renowned director in Chinese cinema was born in Beijing in 1952, to the father who was equally popular because of his effort in the cinema industry in China. At a remarkably tender age, Chen pursued his dream in film and in the year 1978, he joined Beijing Film Academy. While in the academy, Chen met other curtly renowned film-makers, Zhang Yimou and Tian Zhuangzhuang, who helped revolutionize the film industry in China. Most people who studied film in the academy later came to be known as the Fifth Generation. From the works of Chen Kaige in the 1980s and the present, it is evident that China has undergone tremendous changes. According to Chen, the dream of an idealized socialist society had a tender place in the fashionable need for material wealth. Despite this change, t otalitarian predispositions remain evident in Chinese cinema such as censoring of films.